Margherita Lipinska Poland, b. 1964
Works
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Margherita LipinskaCapua, 2026Acrylic on velvet canvas / Acrilico su tela di velluto136 x 200 cm
53 1/2 x 78 3/4 in -
Margherita LipinskaCanova Italica, 2026Acrylic on velvet canvas / Acrilico su tela di velluto136 x 200 cm
53 1/2 x 78 3/4 in -
Margherita LipinskaDiscobolo, 2025Acrylic on brocade canvas / Acrilico su tela di broccato155 x 134 cm
61 x 52 3/4 in -
Margherita LipinskaFortuna Tycke, 2025Acrylic on velvet canvas / Acrilico su tela di velluto165 x 140 cm
65 x 55 1/8 in -
Margherita LipinskaAchille, 2025Acrylic on velvet canvas / Acrilico su tela di velluto175 x 136 cm
68 7/8 x 53 1/2 in -
Margherita LipinskaAres, 2024Acrylic on brocade canvas / Acrilico su tela di broccato157 x 136 cm
61 3/4 x 53 1/2 in -
Margherita LipinskaColosseo, 2024Acrylic on velvet canvas / Acrilico su tela di velluto135 x 175 cm
53 1/8 x 68 7/8 in -
Margherita LipinskaHermes, 2023Acrylic on brocade canvas / Acrilico su tela di broccato187 x 140 cm
73 5/8 x 55 1/8 in -
Margherita LipinskaMedusa, 2023Acrylic on jute canvas / Acrilico su tela di juta100 x 125 cm
39 3/8 x 49 1/4 in -
Margherita LipinskaAntinoo, 2023Acrylic on velvet canvas / Acrilico su tela di velluto143 x 150 cm
56 1/4 x 59 in -
Margherita LipinskaMinerva, 2022Acrylic on jute canvas / Acrilico su tela di juta142 x 126 cm
55 7/8 x 49 5/8 in -
Margherita LipinskaMedusa, 2022Acrylic on brocade canvas / Acrilico su tela di broccato140 x 146 cm
55 1/8 x 57 1/2 in -
Margherita LipinskaUlisse, 2022Acrylic on canvas / Acrilico su tela123 x 95 cm
48 3/8 x 37 3/8 in -
Margherita LipinskaVenere di Capua, 2022Acrylic on canvas / Acrilico su tela113 x 95 cm
44 1/2 x 37 3/8 in -
Margherita LipinskaMinerva, 2022Acrylic on brocade canvas / Acrilico su tela di broccato142 x 126 cm
55 7/8 x 49 5/8 in
Biography
Margherita Lipinska was born in 1964 in Poland, in 1989 she graduated in Painting at the Academy of Fine Arts in Gdansk.
In 1991-92 she continued her studies in Rome having obtained a scholarship at the La Sapienza University.
Since 1991 she has lived in Rome where she carries out her artistic activity.
In 1991-92 she continued her studies in Rome having obtained a scholarship at the La Sapienza University.
Since 1991 she has lived in Rome where she carries out her artistic activity.
The artist defines her painting as an investigation into time and a way to relate to the present in the awareness of the belonging of occidental culture to the Greco-Roman roots.
Ancient art and myth create a reassuring ground where the artist can carry out her artistic research in the face of a present full of uncertainties.
Through the use of unusual supports such as velvet, jute, recycled cardboard and bright colors Lipinska creates a contamination that overlaps the classic images. Large formats and soft canvases, sometimes without frames, give a fresh and informal look to the images represented which are often well-known representations of famous sculptures.
In this way the ancient object is desecrated but without destroying its beauty and its perfection, the sculptures portrayed become contemporary and represent none other than ourselves. The use of famous images, already familiar to the viewer, creates a common language facilitating the beginning of dialogue.
In her work she want to give voice to the amazing topicality of ancient history and art. She believes that our contemporaneity would be much poorer if we did not continue to confront ourselves with the classical era.
Ancient art and myth create a reassuring ground where the artist can carry out her artistic research in the face of a present full of uncertainties.
Through the use of unusual supports such as velvet, jute, recycled cardboard and bright colors Lipinska creates a contamination that overlaps the classic images. Large formats and soft canvases, sometimes without frames, give a fresh and informal look to the images represented which are often well-known representations of famous sculptures.
In this way the ancient object is desecrated but without destroying its beauty and its perfection, the sculptures portrayed become contemporary and represent none other than ourselves. The use of famous images, already familiar to the viewer, creates a common language facilitating the beginning of dialogue.
In her work she want to give voice to the amazing topicality of ancient history and art. She believes that our contemporaneity would be much poorer if we did not continue to confront ourselves with the classical era.
Exhibitions
Events


