Margherita Lipinska Poland, b. 1964

Works
  • Margherita Lipinska, Capua, 2026
    Margherita Lipinska
    Capua, 2026
    Acrylic on velvet canvas / Acrilico su tela di velluto
    136 x 200 cm
    53 1/2 x 78 3/4 in
  • Margherita Lipinska, Canova Italica, 2026
    Margherita Lipinska
    Canova Italica, 2026
    Acrylic on velvet canvas / Acrilico su tela di velluto
    136 x 200 cm
    53 1/2 x 78 3/4 in
  • Margherita Lipinska, Discobolo, 2025
    Margherita Lipinska
    Discobolo, 2025
    Acrylic on brocade canvas / Acrilico su tela di broccato
    155 x 134 cm
    61 x 52 3/4 in
  • Margherita Lipinska, Fortuna Tycke, 2025
    Margherita Lipinska
    Fortuna Tycke, 2025
    Acrylic on velvet canvas / Acrilico su tela di velluto
    165 x 140 cm
    65 x 55 1/8 in
  • Margherita Lipinska, Achille, 2025
    Margherita Lipinska
    Achille, 2025
    Acrylic on velvet canvas / Acrilico su tela di velluto
    175 x 136 cm
    68 7/8 x 53 1/2 in
  • Margherita Lipinska, Ares, 2024
    Margherita Lipinska
    Ares, 2024
    Acrylic on brocade canvas / Acrilico su tela di broccato
    157 x 136 cm
    61 3/4 x 53 1/2 in
  • Margherita Lipinska, Colosseo, 2024
    Margherita Lipinska
    Colosseo, 2024
    Acrylic on velvet canvas / Acrilico su tela di velluto
    135 x 175 cm
    53 1/8 x 68 7/8 in
  • Margherita Lipinska, Hermes, 2023
    Margherita Lipinska
    Hermes, 2023
    Acrylic on brocade canvas / Acrilico su tela di broccato
    187 x 140 cm
    73 5/8 x 55 1/8 in
  • Margherita Lipinska, Medusa, 2023
    Margherita Lipinska
    Medusa, 2023
    Acrylic on jute canvas / Acrilico su tela di juta
    100 x 125 cm
    39 3/8 x 49 1/4 in
  • Margherita Lipinska, Antinoo, 2023
    Margherita Lipinska
    Antinoo, 2023
    Acrylic on velvet canvas / Acrilico su tela di velluto
    143 x 150 cm
    56 1/4 x 59 in
  • Margherita Lipinska, Minerva, 2022
    Margherita Lipinska
    Minerva, 2022
    Acrylic on jute canvas / Acrilico su tela di juta
    142 x 126 cm
    55 7/8 x 49 5/8 in
  • Margherita Lipinska, Medusa, 2022
    Margherita Lipinska
    Medusa, 2022
    Acrylic on brocade canvas / Acrilico su tela di broccato
    140 x 146 cm
    55 1/8 x 57 1/2 in
  • Margherita Lipinska, Ulisse, 2022
    Margherita Lipinska
    Ulisse, 2022
    Acrylic on canvas / Acrilico su tela
    123 x 95 cm
    48 3/8 x 37 3/8 in
  • Margherita Lipinska, Venere di Capua, 2022
    Margherita Lipinska
    Venere di Capua, 2022
    Acrylic on canvas / Acrilico su tela
    113 x 95 cm
    44 1/2 x 37 3/8 in
  • Margherita Lipinska, Minerva, 2022
    Margherita Lipinska
    Minerva, 2022
    Acrylic on brocade canvas / Acrilico su tela di broccato
    142 x 126 cm
    55 7/8 x 49 5/8 in
Biography
Margherita Lipinska was born in 1964 in Poland, in 1989 she graduated in Painting at the Academy of Fine Arts in Gdansk.
In 1991-92 she continued her studies in Rome having obtained a scholarship at the La Sapienza University.
Since 1991 she has lived in Rome where she carries out her artistic activity.
The artist defines her painting as an investigation into  time and a way to relate to the present in the awareness of the belonging of occidental culture to the Greco-Roman roots.
Ancient art and myth create a reassuring ground where the artist can carry out her artistic research in the face of a present full of uncertainties.
Through the use of unusual supports such as velvet, jute, recycled cardboard and bright colors Lipinska creates a contamination that overlaps the classic images. Large formats and soft canvases, sometimes without frames, give a fresh and informal look to the images represented which are often well-known representations of famous sculptures.
In this way the ancient object is desecrated but without destroying its beauty and its perfection, the sculptures portrayed become contemporary and represent none other than ourselves. The use of famous images, already familiar to the viewer, creates a common language facilitating the beginning of dialogue.
In her work she want to give voice to the amazing topicality of ancient history and art. She believes that our contemporaneity would be much poorer if we did not continue to confront ourselves with the classical era.
Exhibitions
Events