Domenico Dell'Osso b. 1975

Born in 1975, Dell’Osso began painting at the age of sixteen. From the very beginning, painting became a tool for introspection, deeply rooted in philosophical theories about the unconscious. He rejects the idea of art as a celebration of individual achievements, instead embracing it as a means of exploring and understanding one’s inner world.

 

Since 1993, he has participated in numerous solo and group exhibitions throughout Italy. In 1998, a recurring character emerged in his work: a human figure with a head replaced by objects or animals, symbolizing emotional and psychological states. This cycle was exhibited as early as the following year and received wide acclaim. In the years that followed, interest from critics and the press grew steadily, and Dell’Osso also began experimenting with digital art.

In 2007, he won the Premio Arte Mondadori, followed by the Premio Celeste in 2008, and became a finalist for the Dalla Zorza and Terna awards. His work has been featured in numerous art publications, and he was twice included in the annual “Young Blood” as an example of Italian creative excellence. He collaborated with companies on interior design art projects and took part in major cultural and institutional events.

Between 2010 and 2011, he was a finalist in several national and international awards, earning recognition as a leading figure of Italian pop surrealism. He participated in prominent museum exhibitions and expanded his practice to include animated digital works. In 2011, he was invited to the 54th Venice Biennale.

 

His iconic painted character evolved, becoming more elongated and adult-like — a transformation presented in major exhibitions and solo shows. From 2013 onward, he broadened his artistic reach by collaborating with musicians, institutions, and companies. The cover of Caparezza’s album Museica is based on one of his artworks. Dell’Osso also appeared in numerous TV and radio programs and was frequently interviewed by the press.

Over the years, his presence in museums, foundations, and group exhibitions — both in Italy and abroad — became increasingly prominent. He continued to receive awards and develop projects for the worlds of sports, music, and communication. His works were also featured in editorial, television, and corporate settings; among them, a portrait of Pope Francis, which he personally presented to the pontiff.

 

His style is constantly evolving, yet consistently centers on themes of identity and inner reflection.